Station Audio

Free · no sign-up · runs in your browser

Learn to hear frequencies

One EQ band is boosted. Switch between EQ and flat, then name the band. Start here with level 1, or open the full EQ ear trainer for cuts, third-octave bands and your per-band scores.

Turn your volume down before you press Start.

Level 1 · +12 dB · 4 octave bands

Score
0
Streak
0
Best
0

Space switches

Source

Which band is boosted by 12 dB?

Turn your device volume down, press Start, then switch between EQ on and Flat and pick the band that changed.

Last 10: pass with 8 correct

Levels 2 to 4, cuts, third-octave bands and your per-band scores are on the full trainer.

The tools

9 tools · no account

Delay times at common tempos

Any tempo →

Milliseconds per note at a glance. For any other tempo, and for triplets and reverb times, use the delay time calculator.

BPM Quarter Eighth Dotted eighth Sixteenth
70 857.1 ms 428.6 ms 642.9 ms 214.3 ms
90 666.7 ms 333.3 ms 500.0 ms 166.7 ms
100 600.0 ms 300.0 ms 450.0 ms 150.0 ms
110 545.5 ms 272.7 ms 409.1 ms 136.4 ms
120 500.0 ms 250.0 ms 375.0 ms 125.0 ms
128 468.8 ms 234.4 ms 351.6 ms 117.2 ms
140 428.6 ms 214.3 ms 321.4 ms 107.1 ms
174 344.8 ms 172.4 ms 258.6 ms 86.2 ms

Who this is for

Producers and engineers who want to name a frequency by ear instead of sweeping for it; players who want a metronome that keeps time and handles 7/8 properly; home-studio and live engineers who need a delay time, a test tone or a quick decibel sum mid-session; and anyone setting up a room who wants to know why one bass note booms. Each tool does one job and loads fast on a phone.

What is different here

Every tool is free, needs no account and runs entirely in your browser. Nothing you type is sent anywhere, and none of the tools uses your microphone. The audio tools generate sound with the Web Audio API built into your browser, including the EQ trainer’s pink noise and drum loops; the calculators do their arithmetic on your device.

Each page names the formula it uses, works through an example with real numbers, and says where the answer stops being trustworthy: why a laptop speaker cannot teach you 63 Hz, why a room never quite behaves like the room mode equation, why two speakers do not always add 6 dB. The about page collects the methods and their limits in one place.